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Art Worlds

How to submit a proposal to Art Worlds
Alternatives to Art School
Why I stopped making art
The Last Year of the Inequity Olympics
Drawing Connections: Four works from 30works30days by an artist with chronic illness
Writing to you from burnout, about my desire and inability to stop working
The Gig Economy: Making It Work
Regenerative Artmaking in the Climate Crisis
Diversity is not Inclusion
I dream of Utopia
A rare beast – the native Londoner
Impact of the Online Safety Bill on visual arts practice
MIND THE GAP
Goodbye London, Hello Glasgow
North Devon: opening an artist-led gallery space
Sustainable Arts Practice
Making Art In Cornwall’s Edgelands – practicing art in precarious times
A disabled artist in lockdown: Organise. Support. Create.
Dialogues
Free MFA’s in the US
Babyfied in Birmingham
Conscious Isolation: Networking Together, Apart
Moving Image Salon
From Leaving London To Lockdown Collaboration
Bogotá: The Sprawling Urban Jungle in the Clouds
Bolton: Land of Opportunity
Bilbao Rocks
Mexico: Swimming in the belly button moonlake – a path to creative enrichment
Berlin: Care and Creativity: Working as a Disabled Artist
Glasgow: how to find sanctuary in the dear green place
How to Proceed
Bergen: Holding in the Gaps
Jojo Taylor: Go Thee Rhino and Make your Dreams Come True
São Paulo: Searching the edges
Lisbon: salt air
Berlin: history, hedonism, and wildness
London: ‘A Year in Utopia’
Iceland: an interview with Hallgerður Hallgrímsdóttir
Reykjavík: designing with tradition and modernity
Iceland: recycle, rethink & redesign
Art Worlds Margate
Collectivity, collaboration and experimentation in Budapest
California: driving around LA with Orlagh Woods
California: an interview with Frankie Carino
California: an interview with Bunnie Reiss
California: an interview with Kelly-Lynn Jones
Colombia: an interview with Juan Pablo Echeverri
Laura Fowle: on artist opportunities
Georgia Gendall: on identity and resilience after art college
Alex Burgess: on managing time
Michael McManus: private commissions
Henk Gieskens: Money = Time
Faisal Abdu’allah: on money
Argentina: a tour around MALBA, the Museum of Latinamerican Art in Buenos Aires
James Bulley: on sound art
Armenia: overview of the visual arts
Borneo: Tong Tana – walking with the Penan by Layla Curtis

Artlaw

Lost in Translation
Law, Ethics and the Visual Arts
US Art Import Tariffs
A Complete Unknown
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Copyright and AI Consultation
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Ladies Lounge
Disclosure of Buyers
Store-To-Own
40 Years of Collecting
When I Paint My Masterpiece
Political Statements
Ties That Bind
This Is Not by Me
Freedom and Creativity
To Have and Not To Hold
Dealers/Agents/Advisors: Beware
Cash In Your Face
Fair Appropriation Practices
Warholisation
Structurally F-cked
AI Authorship
Digital Rights Management
AI Art Tools
Trademark or Copyright?
Collecting
On Freedom to Protest
Trust
Selling Art Now
The Unasked Question
Brexit Bites
Compliance
The Emperor’s New Code
War Sanctions
Get Minted
Automatic for the Beeple
It’s a Wrap
No Heirs Apparent
A Curious Act of Vandalism
Crypto Art Business
Don’t You Trust Me?
Don’t Delete Art
Exhibition Relief Funding
Brexit Begins
Private Parties
Online Image
Flower Thrower Law Report
Anti-Flipping
Christo & Jeanne-Claude
Things Have Changed
Tattoo You
Death of a Gallery
Being An Artist’s Lawyer
Laundering
Legal Drivers
Tariff-Free Art Trade
Collecting Performance Art
Sale or Resale?
Legacy
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Afterlife of Photographs
Digital Single Market
Authentication
Living Legacies
Love & Money
Scarcity
Style, Content and Plagiarism
Blockchain
Reputation: Art & Artists
Reputation
Fair Deals
Terms and Conditions
Art? Pension? Trust?
Conservation Questions
As a self-employed artist, will the General Data Protection Regulation (GDPR) affect me?
Fair Image Use Fees
Digital Drivers
Idea/Expression Dichotomy
Wash-Out
A Landmark Case?
The ICOM Code
Secondary Sales Risks
Continuing Silence
Artists’ Estate Management
Dealing Differently
The Artist’s Estate
40 Years On
What should I know about copyright as a freelance artist/educator who facilitates workshops?
The Code of Art
Art Industry Self-Regulation
Should I Stay or Should I Go?
Fair Use
Artists’ right to unemployment benefit
Further information
Dire Straits: in the gallery
Sculpture Competitions
Public Art and the Law
Doing a Deal: Part 1
Ballad of a Widening Wedge
Estates
Orphan Works 2
Artist’s Resale Right: Ten Years After
What does creating an Inventory or Catalogue Raisonné involve?
When Collaborators Turn
Moral Lights
If I sell artwork through a gallery based abroad, can they deduct ‘withholding tax’ on my earnings?
Guides to Interpretation
Global Thinking
Film and Video
Conservation
Christoph Büchel v Mass MoCA
Banking on Trust
Do you any up to date information regarding VAT treatment on commission owed to individual non-VAT registered artists from galleries that may or may not be VAT registered themselves?
What should I consider when deciding whether or not to sign a written agreement with a gallery?
Can I sell an artwork that uses letters from an existing font, e.g. from a word processing program?
Can I illustrate a mass-produced object such as a toy in an artwork without infringing copyright laws?
Permission to Sell
Merchandising Rights Time Bomb
Regulating the Art Industry
Enforcement
Small Claims
Changes to Permitted Uses
Is it discrimination under UK law to advertise an opportunity for artists under a certain age?
Taking Care of Business
Post-Internet Art
My gallery had agreed to return my work months ago but now they seem to have lost it.
Suing Art Experts
London Centre for Book Arts: a case study
Are you licensing your work for free if you upload it on social media sites?
Who is liable for insurance for artwork kept on consignment?
Death of an Artist
Material Ephemerality
Fair Use?
If my gallery is based abroad who will decide in case of a dispute?
Is there a definite ruling on what constitutes an edition?
Why are Artists Poor?
Consignment: Trust
Renting Art: Borrowers and Lenders Beware
Creative Collaborators: Authors or Assistants?
Who Owns Street Art
How can I get my gallery to disclose the names of my buyers?
Moral Rights: A Suitable Case for Treatment?
Do I have to pay tax on the award or grant I have been given?
Endangered Public Sculptures
Claiming money owed to you through the Courts
Commissioning Contemporary Art
Catch-22 Inheritance Tax
Gallery of Lost Art
Authenticity Certificates Value
If I use a pseudonym can I sign documents and contracts with a gallery under my legal name?
Authentication Revisited
Authenticity Certificates
Artwork Liabilities
Change of Art
Will I be able to exhibit and sell photos of my performance if I haven’t taken the pictures myself?
Editions or Series: Picking Up The Pieces
What is Sculpture?
Is my work protected by copyright or design rights?
Sotheby’s and Christie’s
The Bacon Estate (1)
Performance Art and The Law
Deaccessioning Public Collections
National Studios Forum
Tracing Work
‘She’s nobody’s child; the law can’t touch her at all’
In what circumstances can I sublet or share my studio space?
The Length of Copyright
Management of Creativity
VAT minus Zero – no limit
Appropriation Art and Fair Uses
Can I sell my copyright?
Dire Straits – outside the gallery
Making Waives
Questions of Attribution
Appropriation of Media
Estates
Life After Art School
Censorship
Public Exhibition Payments
New Labour Arts Policies
Dealing in Fakes
New UK Legislation Part 1
What issues should I be aware of if I wish to use photographs in collage / painting?
Between Thought and an Expression
The Boyle Family
Constitutions
Claim it From DACS
How do I get my gallery / dealer to return unsold works?
Copying by Universities
Riding the D-Train (part 2)
Paper Promises, part 2
Knockin’ on Hebborns Door
Public Images
Heath and Safety
Freedom of Expression: part 2
Percentage for Art
VAT of confusion
ArtlawTV: Susanna Heron on Site Specific Art
What kind of access can I expect in a studio or property?
Up Against the Wall: part 2
After Sales
Breaking the Rules
Gallery Agreements
ArtlawTV: Simon Faithfull on Art and Ideas
New UK Copyright Provisions from 31 October 2003
Law Online: Artquest
Is Your Copying Right?
Shamrock Organisations
Unincorporated Association
Attribution of Authorship: Warhol
Artlaw Services – A National Legal Service for the Arts
Mum’s the Word
Contracts as easy as ABC: A Users Guide
What should I do if my dealer / gallery goes bust?
If two or more artists collaborate on a work of art, which one of them will own the copyright?
Credit Where It’s Due?
Collaborative Works
Dear Images
Dear Henry…
Contracts with Galleries
Publication Right: The New Right
How can I protect live events and performance work under copyright law?
Joint Enterprise
Copyright: A Suitable Case for Reform
An Inspector Calls
The Next Moves Forward, part 1
Nightmare of Planning Laws: Westminster City Council V Time Life
Theft, Lies & Videotape
An Inspector May Call Again
Shopping Lists
About the author
Disclaimers
Art and Money
Gift Aid: an Arts Boon?
What health and safety considerations are there?
The ACME of Artlaw
Privacy
The State of Play
Play with Fire
Postmodern Artwork
The Right to Destroy Artwork
Soul Trading
Co-operative
Partnership
Power Plays: Chimes of Freedom
Cell Block
Welfare in the State of Art
Artlaw History
Copyright and Moral rights: New legislation (part 1)
Art & Copyright
Wapping Blues
Artists Bearing Gifts: Revisited
Doing a Deal: Part 2
Artists Resale Right: 4th Year Report
Commercial Dimensions
New Administration: Reforms and Innovations
About the articles
Who owns Elizabeth Frink?
What materials might I not be allowed to work with in my studio?
Droit de Suite (1996)
What if there has been a creative partnership between two artists and one of them wishes to leave?
Copyright
The Dali Wrangle
The Next Moves Forward, part 2
Conference Consequences
ArtlawTV
Licensing
Travellers Tales
Fundamental Enquiries
Management Of Creativity 30 Years On
Charitable incorporated organisation
Posthumous Artworks
Money
When I Paint my Masterpiece
Collective Bargaining
Strategies for the Arts
Selling is Easy
What is copyright infringement?
Copyright and Moral rights: New legislation (introduction)
Working as an artist: part II
Conservation, Restoration and Replication of Modern Sculpture
The Tax Man Cometh
Second Year Review
What works are covered / protected by copyright?
Copyright and Moral rights: New legislation (part 3)
Community benefit society
If I hire a stand at an Art Fair to sell my own artwork, what can I do if the event is cancelled?
Photographing Art Collections
Dear landlord, please don’t put a price on my soul
Riding the D-Train (part 1)
Stamp of Approval
Collaborations
First Semester Report
What is the difference between a work/live and a live/work space?
Private Commissions and the Law, part 1
Frequently asked questions
Recording Visiting Speakers
Monumental Manoeuvres in the Dark
The Values of Insurance
International Artlaw Research and Education Fund
The Artists’ Campaign for Droit de Suite
What legal issues should I be aware of if I want to include cartoons in my work?
What legal issues surround the use of legal tender, i.e. notes and coins, in my artwork?
Tomorrow is a Long Time
Self-Expression and the Law
Art Law Introduction
Commissioning an Artist
The Artist’s Resale Right Regulations 2006
Parliamentary Report: The Market for Art
How can I prevent unauthorised use of images of my work that are published on the Internet?
Originality
Global Art Business
The Way Forward?
Is there Life after Art School?
Vexing Art Toll?
Artists Resale Right
Appropriation
Court Cases
International Foundation for Art Research: IFAR
Nothing is Forever
An American in Florence: restoring the moral balance
One of us must know something (Sooner or Later)
Where can I find lists of studio providers?
When selling work for reproduction, how can I protect my copyright?
Displaying Student Work
% for Art Legistaltion
Doing a Deal: Part 3
What is a ‘break clause’?
Company
Yes Minister, but is it legal?
Severance
Public Art Commissions: Part 1
Who Owns Public Art Commissions?
Freedom of Expression: part 1
Freedom of Information
What can I do to protect my work from being copied when I submit a prototype to a potential buyer?
Worldwide, and Droit Moral
F**K
Private Commissions and the Law, part 2
Advertising and marketing art: Copyright confusion
What can I do if my work is used without my permission?
The Bacon Estate (2)
Shelter from the storm
Polaroid: The Gift That Doesn’t Keep Giving
Foreign Affairs
What should I include in a licensing agreement?
Tyson, Hirst and Hogbens Dunphy
Drawing the Line
Studios
Can the organiser of an art show subsequently decide to remove a work from the show ?
Art Online
Copyright and Moral rights: New legislation (part 2)
Up Against the Wall: part 1
Copyright Protection Abroad
Who cares about art after death?
Rothko Revisited
Space Race: Part 2
Can I negotiate the lease / licence with my prospective landlord?
Gormley on the Beach
Sellers, Buyers and Auctioneers Beware
A Tax on Art Schools
Infinity goes up on Trial
What issues should I consider before hiring a space for a group show with other artists?
Technology vs Copyright
Is it true is it OK to use short excerpts of music / film without infringing copyright?
DACS
Commissions and the responsibilities they bring, part 2
Resale Royalty
When can I use copyright material without permission?
Holography
Public Art Liabilities
Information and Advice to the Visual Arts: Getting the Network Working
Copyright & Resale Right
US Copyright Protection for UK Artists
Postbag
Mapplethorpe
Dear Editors
Tate Da Vinci Code Pollock
Oh! My Precious
What can I do if my work is damaged after submitting it to a third party, such as a dealer?
Copyright Law
Percentage for Art: UK OK?
Down in the Flood
Space Race: Part 1
Taxation of Prizes and Grants
Supplementary Benefit
What other costs might I be liable for when renting a studio?
Private Investigations
Ballad of a Thin Wedge
Droit de Suite (2002)
Artists’ Selling Power
Lofty Ideals
Caveat Emptor
Artists’ right to unemployment benefit
Parliamentary Report: UK Artists’ Resale Right
What do I need to know if I want to use a board game / company name or logo in my artwork?
Alison Jackson’s Sven
The Momart Fire
ArtlawTV: David Mabb on Art and Appropriation
One of my works was damaged while on display in a gallery.
Morals, Mores & Minors
Damage to Work
Dragon’s Dance
A Developing Global Framework
Dear Shane
Back to The Future
Three Short and Unrelated Matters
First Year Report
How much deposit would I expect to pay?
In Defence of the Image
New UK Legislation Part 2
What material (film, music, photography, literature etc) do I not need permission to use?
Mortality/Immortality
Working as an artist: part I
The Rothko Wrangle
Exhibition Agreements
Agency Deals
VAT revisited
Follow up follow up follow up, ’till the fields ring again and again…
Stealing Ideas
Conservation Renovation & Restoration
Commissions and the responsibilities they bring, part 1
Galleries and exhibitions
Virtual Collections: National Portrait Gallery versus Wikipedia
The Creative Act 2007
‘God help the Minister who meddles with Art’
Beautiful Inside My Head Forever
What if I want to use an image of a celebrity in my work?
New Legal Rights
Private Views: Right Problem, Wrong Law
The Present Status of Artlaw
Artists’ Residencies
‘One for you, nineteen for me’
Art after Death
Second Anniversary Edition
Charity
Sensation and All That
Of ha’pennies and cakes – servicing public arts development
Art and Architecture
Flavin’s Fittings
Dear Worried Brown Eyes
Sittin’, thinkin’, sinkin’, drinkin’
ArtlawTV: Ben White and Eileen Simpson on A Cultural Commons
What should I be aware of when working with public or private commissioners?
Can the body commissioning an artwork subsequently terminate the agreement?
How do I get permission to use copyrighted material (film, photography, literature, music etc)?
Moral Rights: Artists have got ’em
Ignorantia Lex Non Fit Defensia
What counts as an affordable rent?
Online Sales
Copyright and Moral Rights: New Legislation (moral rights)
Bankrupt Galleries: A Cautionary Tale
What if I want to include information about other people in my artwork?
Digital Archives
©autionary Tales: Of Hoffman
Common Sources
Public Sculpture
Performance Art
Beware of Artists Bearing Gifts
Public Art Commissions: Part 2
Leibovitz Futures
Famous last words
Agents’ and Dealers’ Duties
Anticipating Future Uses of Work
What kinds of contract might I be expected to sign when taking on a property?
Orphan Works 1
Copyright Services
Deceased Artists
Art and the law on trial
Art for Architecture Legistlation
What legal issues should I be aware of if I wish to use film clips in my work?
3D Artworks
Community Interest Company
Editions or Series: Artists Be Clear
Paper Promises, part 1
Loaner Beware
Commissions
What should I do if a commission is rejected after it has been completed?
ArtlawTV: Rene Gimpel on Gallery Deals

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Charlotte Marra and Patrick Goddard: on navigating the art world
Artists’ studios
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Tom Sowden: on book arts
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Pensions for self-employed people
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Working as an artist’s assistant
First steps for new artists
Art fairs and tradeshows
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Making and selling an artist’s book edition
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Julie Myers: on artist residencies
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Rhian Solomon: on artist residencies
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Working as a sound artist
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Public art commissions: expressions of interest
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