Resale Royalty

Why Resale Royalties? The California Resale Royalties Act took effect on January 1, 1977 and gives visual artists the right to participate in any profit derived from their works of fine art. It is the first piece of…

Holography

Twentieth century visual artists’ propensity for introducing modern technology into their creative processes not only poses problems for traditionally minded perceivers, but also in other even more conservative areas – especially the law. Because something is happening here But…

Insurance

Having adequate insurance protects your work, studio, equipment and materials. If anything gets stolen or damaged you’ll be able to replace it. Insurance also protects you if an accident occurs while working with the public. There are two main…

Information and Advice to the Visual Arts: Getting the Network Working

In May 1990, AN Publications (Artists Newsletter) carried out market research into the needs of artists and arts administrators. The results make it clear that the needs of artists…

Mapplethorpe

Much heat and hype has been generated by the media in recent months over the Hayward Gallery’s decision to self censor two works from the Mapplethorpe retrospective. The purpose of this piece is not to fuel any flames, but…

Copyright & Resale Right

Harmonisation of the laws of the 15 EU States, aimed at creating a level economic playing field, usually takes years to achieve: it requires at least two successful readings in the EU Parliament, and ratification by…

Postbag

There has been a mountain of correspondence from readers who have written to me, each with a different problem. First, I must apologise for not yet having replied to the less urgent enquirers (I will, shortly); second, let me…

US Copyright Protection for UK Artists

It is rare for visual arts copyright cases to end up at court. Even more rare for the trial to be fully conducted and judgment given; most copyright cases are settled out of court.…

Dear Editors

I must apologise for not having produced my regular column this month – the first time in three years. The fact is that we’ve been under so much pressure at Artlaw that there’s been no time to sit…

Oh! My Precious

One fine day composer John Casken arose to discover that he had won the first Britten Award for composition worth £10,000. He won the money for Golem, a work for eight singers accompanied by 11 instrumentalists and…

Percentage for Art: UK OK?

February’s column covered the numerous Percentage for Art schemes which have been developed in America and Europe during the past fifty years. Whether or not something is to be done in this country is a…

Copyright Law

The law of copyright is vast and complicated: what follows is a brief outline of the law as it affects visual artists who should seek professional legal advice on any problems they may have. What is copyright? Copyright…

Tate Da Vinci Code Pollock

 the publishers of The Da Vinci Code have successfully defended a breach of copyright claim against them in London's High Court, and the Pollock Krasner Foundation is currently in dispute with a Jackson Pollock expert…

What can I do if my work is damaged after submitting it to a third party, such as a dealer?

As well as the specialist insurers listed on Artquest, a n, Axisweb and the Society for All Artists provide insurance…

Supplementary Benefit

Supplementary benefit is for those whose resources are insufficient to meet their requirements. Last month we looked at artists’ entitlement to unemployment benefit and their duty to make National Insurance contributions; now we must consider artists’ rights to…

Taxation of Prizes and Grants

Booker, Whitbread, Turner, John Moores – are the winners of those prizes liable to pay income tax? What about other minor awards and prizes given by public and private donors? What about competitions,’buying time’ awards,…

Space Race: Part 1

Tate Modern recently hosted a national conference profiling the role of studio and workspace provision for artists in the UK. ‘Creating Places’ was jointly funded by Arts Council England (ACE), the Cultural Industries Development Agency (CIDA),…

Ballad of a Thin Wedge

An article from the Artlaw archive about sponsorship and the Arts. You have many contacts Among the lumberjacks To get you facts When someone attacks your imagination But nobody has any respect Anyway they already…