Showing items tagged "Working and employment"
Global Art Business
This first column of 2008 responds to many readers’ requests to explore key business issues faced by both artists and art business professionals conducting their practices/businesses internationally. The Peoples Republic of China joined the World Trade Organisation…
The Way Forward?
‘Any government, whatever its political line, should take some active steps to encourage the arts. The task of a Minister for the Arts is to help to create and preserve a framework within which the arts can…
Vexing Art Toll?
VAT is an accountancy nightmare but, handled properly, can be turned to good advantage – even for artists. Myths abound; perhaps they can be dispelled. Let’s try. Every artist should ask the following questions: Do I carry…
Working relationships in public art commissions
Learn how to develop a relationship with your commissioner so that you both get what you need out of a commission. For the artist For the commissioner Compromising practice with practicality The nature of…
A Tax on Art Schools
Art education has undergone radical changes in recent years not just in the content of courses but also in the funding and administration of the colleges themselves. In fact, few art schools exist as such,…
Insurance
Having adequate insurance protects your work, studio, equipment and materials. If anything gets stolen or damaged you’ll be able to replace it. Insurance also protects you if an accident occurs while working with the public. There are two main…
What can I do if my work is damaged after submitting it to a third party, such as a dealer?
As well as the specialist insurers listed on Artquest, a n, Axisweb and the Society for All Artists provide insurance…
Oh! My Precious
One fine day composer John Casken arose to discover that he had won the first Britten Award for composition worth £10,000. He won the money for Golem, a work for eight singers accompanied by 11 instrumentalists and…
Taxation of Prizes and Grants
Booker, Whitbread, Turner, John Moores – are the winners of those prizes liable to pay income tax? What about other minor awards and prizes given by public and private donors? What about competitions,’buying time’ awards,…
One of my works was damaged while on display in a gallery.
Can the gallery deduct any money from the insurance claim as commission? As the work has been damaged while on display, the gallery has neglected their duty of…
Damage to Work
Damage to work can be a real problem, particularly when it’s discovered during a show. Although artists and galleries tend to rely on insurance companies to pay for restoration costs, there have been an increasing number of…
Gallery education
One of the many ways that artists can earn a living is working in a gallery education programme. Gallery education programmes often run in publicly funded spaces. They are a way for the gallery to engage with their…
The Momart Fire
At 3.40am on Monday May 24 2004 fire fighters received the alarm call, and the blaze at one of Momart’s warehouses lasted five days. Media coverage was extensive and worldwide, for what was a devastating single act…
Tax tips for artists
4 out of 5 artists are set to pay more tax than they need to each year. People in Britain overspend £7.6 billion in unnecessary tax every year. It’s a scary statistic. So how can artists…
VAT revisited
Since the Chancellor of the Exchequer doubled the VAT rate to fifteen percent, many artists, administrators and gallery proprietors have raised queries about the tax. Most problems have arisen through a lack of knowledge or from a misunderstanding…
Volunteering in the arts
If you are a volunteer, remember, even if you work for nothing, your time is still worth something. Consider your time as a donation to an organisation you work for. It is an investment in your…
The Creative Act 2007
In April 1957 at the American Federation of Arts in Houston, Texas, Marcel Duchamp gave his now celebrated and all too brief talk ‘The Creative Act’: ‘Let us consider two important factors, the two poles of…
Beautiful Inside My Head Forever
‘The fine artist came to seem a near miraculous creator of value, transmuting relatively inexpensive materials into fabulously expensive commodities.’ Katy Siegel and Paul Mattick’s comment on the development of today’s art market place, in…