










Programmes ending or continuing through 2014 included:
- AWP Internships (2012-current): Paid high-quality internships at small London arts organisations
- Artquest Rates (2014-current): a discount scheme for artists working in selected, high-quality artist-led workshops around London
- The Foundling Residency (2013-15): three-month bursary and access for a visual artist to the collections and curators of The Foundling Museum, this year with artist Lucy Cash
- Primer (2012-current): ebook aimed at new graduates about the first steps of practicing as an artist
- The Workweek Prize (2013-current): annual arts award for the best of Art Licks Weekend
- Lifeboat (2012-2019): studio residency programme for new fine arts graduates
One-off projects taking place during 2014 were:
The Real World (2009-2014)
Practice 360 (2013-2015)
Gallery Films
Future Map 14
Artquest coordinated the talks programme for Future Map in 2014: an annual exhibition of emerging talent from UAL. The talks and events considered different facets of professional practice for new graduates.
Sessions included getting press for exhibitions (Colin Perry), self promotion for artists (Laura Eldret), what art collectors are looking for (curator Lindsay Jarvis) and making the most out of exhibition opportunities (Laura Buckley)
The Value of Money
A literature review into the motivations and value that artists ascribe to money in their careers.
Professional visual artists operate in a complex and little-understood economic context, often considered similar to that of small businesses. In reality, policy makers and funders struggle to fit artists within received economic models that rarely match their wider social status, how money circulates through the art world, the specific operation of reputation, and the value given to different forms of income that obtain in the different financial and non-financial markets in which artists operate.
This research build on our 2009 research: The Funding and Finance needs of Artists (PDF), as well as peers across the sector and internationally. Download The value of money: professional visual artists decisions around income (PDF).
Pamphlets
A book of anonymous essays in which artists, curators, educators and other arts professionals expressed their views on the art world with complete freedom
With an open brief to write one essay about something close to their own practice, and another about the wider structure of the art world, Pamphlets provides a snapshot of opinion – sometimes incendiary, always forthright – from those working at the coal face. Inspired by the polemic 17th century political pamphlets of the British Civil War, Pamphlets is an opportunity to find out what artists think about the context they work in, and aims to encourage debate. Originally an edition of 500 copies; now these have sold out, we publish the articles online.
As well as an introduction and afterword, which contextualise and describe the project, the articles are:
- Before we start to engage, maybe we should first include – an art tutor considers how a Western European hegemony of art theory threatens to exclude non-middle-class students, and those from other countries
- A Chasm of Carelessness – some thoughts on socially engaged practice and the toll it can take on artists
- Ignore this at your peril – a plea for gallery educators to be heard in art institutions
- The Funding Party – a former gallery director muses on Arts Council England funding programmes
- Dis-United Kingdom – a wide view of the UK financial context for artists
- Pay them the Money – thoughts on a new type of arts funding system, with artists at its heart
- It’s popular, but what’s the value? – the relationship between artists, popularity and opportunities
- Where have all the massive cocks gone? – thoughts on the lack of political currency within visual arts practice
- Shut up and sell out – a call for artists to understand the implications of pay for their work
- War, War and more – the links between the arts and military-industrial complex
Channel Q (formerly Self Assembly) (2010-2014)
Artists’ Practice Day
OSE Reader
A series of workshops facilitated by AND Publishing for Open School East associate artists to develop a ‘reader’ for alternative MA programmes. Artquest supported a series of 3 workshops, where OSE Associates worked with AND publishing to develop a reader that reflected on their time at Open School East and the models of learning experienced there.
<<3 months in Berlin>>
Our final residency held in Berlin, with other editions in 2007, 08, 09, 10 and 11. <<3 months in Berlin>> was an opportunity for a London-based visual arts or crafts practitioner at any stage of their career to live and make new work in Berlin, and provided a free live / work studio for 3 months, return air fare, a bursary and materials budget. Organised in partnership with ACAVA and hosted by Milchhof art group. Each artist produced three articles about their experiences for the Artquest website.
Artists selected were Jacqueline Brown (2007), Michelle Deignan (2008), Samuel Dowd (2009), David Raymond Conroy (2010), David Littler (2011) and Lucienne Cole (2014).
Going Dutch (2010-2014)
Beam Time
A research residency run in partnership with The Arts Catalyst: artist Alistair McClymont was resident at the Central Laser Facility to engage with the work undertaken there and develop his practice. The end of this residency was marked by a talk, Making a Universe, in which McClymont shared his thoughts and research.
Squaring the Circle
Funded by Arts and Humanities Research Council (AHRC) as part of their Cultural Value Programme, this seminar aimed to address the cultural value and legacy of experimental and transitory arts practices. It was led by Orlagh Woods, David Cotterrell and Helen Sloan. Focusing much of its preliminary research on the short-lived Arts Lab, which operated in Covent Garden from 1967-69, the project considered an organisation which is periodically cited as a prime-mover in the avant-garde of London in the late 1960s, but for which there is currently scant evidence that can express its value in relation to past, present or future cultural ventures. Artquest supported an invitation-only closing event to discuss notions of cultural value and Arts Lab and celebrate the end of the first phase of research.