Archive of Henry Lydiate‘s Artlaw column, published in Art Monthly since 1976. Have a legal question about your career? Check our Directory or send us a legal query.
About the articles
In 1976, Henry Lydiate, then a newly qualified barrister, received funding from the Calouste Gulbenkian Foundation to set up a practice specifically providing legal advice to visual artists. Artlaw Services provided free information and legal advice to…
Doing a Deal: Part 2
Last month’s column explored the basics of UK contract law and good practices for artists and galleries conducting negotiations with a view to arriving at a gallery deal. This month we look in more detail…
Commercial Dimensions
The UK's creative industries currently earn £112b a year according to statistics from the Department for Culture, Media and Sport, representing a growth rate of 9% annually between 1997 and 2000 (compared to an average of 2.8% for…
Wapping Blues
If your memory serves you well, You’ll remember you’re the one That called on me to call on them To get your favours done. And after every plan had failed And there was nothing more to tell, You…
Artists Resale Right: 4th Year Report
February 2010 marks the fourth anniversary of the introduction into UK law of the Artist’s Resale Right (ARR). Invented by the French around a century ago, where is it known as droit de suite,…
Who owns Elizabeth Frink?
Elisabeth Frink’s Desert Quartet, 1990, comprises four bronze sculptures commissioned in 1985 by property developers The Avon Group as an integrated external feature of their then new Montague Centre shopping precinct in the coastal town of…
New Administration: Reforms and Innovations
On June 10, the newly elected Government will begin to plan its legislative programme for the next five years. In 1979 this column reported the current state of play in relation to the possible legislative…
Conference Consequences
The British Art World is a notoriously diverse and divided community. The Whitechapel Conference organised by Artlaw on Jan 4, 1980, was remarkable in that it attracted an audience made up of a unique cross section of artists…
What materials might I not be allowed to work with in my studio?
You must be aware of the ‘permitted uses’ of your studio. Often the landlord will want you to specify the actual nature of your art practice, as…
What if there has been a creative partnership between two artists and one of them wishes to leave?
If one artist leaves the collaboration, can the other artist to continue the work alone? The remaining artist should acknowledge the other…
Droit de Suite (1996)
On 13 March 1996 the European Commission published a proposal for a Directive to harmonise the law throughout the 15 member states of the European Union concerning artists’ resale royalty right, often called the ‘droit de…
The Dali Wrangle
Salvador Dali, a master of Surrealism died in 1989. A dozen or so years later his legacy has caused substantial legal problems of an equally surrealist nature. The litigants are the Gala Salvador Dali Foundation established by…
The Next Moves Forward, part 2
This month’s Artlaw continues and concludes the exploration of the newly elected Government’s past achievements and future policies in relation to the visual arts, and, in the context of joint European cultural, those policies…
Copyright
What works are covered / protected by copyright? What can I do if my work is used without my permission? When can I use copyright material without permission? How do I get permission to use copyrighted material (film, photography,…
Posthumous Artworks
Blinky Palermo’s reputation was given a major boost through retrospective exhibitions in Barcelona and at London’s Serpentine Gallery in 2003. This, in turn, has led to funding recently being achieved by Edinburgh College of Art to ‘rescue’ one…
Charitable incorporated organisation
A Charitable Incorporated Organisation, or CIO, is a new legal form for a charity, brought in by the 2011 Charities Act. A CIO: is an incorporated form of charity which is not a company only has to…
Management Of Creativity 30 Years On
In October 1976 the first issue of Art Monthly carried the first Artlaw column. Have things improved, worsened, or stayed pretty much the same over the last 30 years? From Jennie Lee’s appointment as…
Fundamental Enquiries
A fundamental problem artists continually bring to Artlaw is the need for basic information and advice on how to set up and maintain a ‘business’ as an artist; it’s a question of survival. It has been the aim…