Conservation Questions

Ethical practices of art conservation have become a renewed subject of debate following publication of a pre conservation image of Salvator Mundi, c1500, which was recently attributed to Leonardo da Vinci and subsequently sold for $450m at auction…

The ICOM Code

A new series of professional development courses aimed at mid career curators and museum professionals was recently launched by Whitechapel Gallery in partnership with the Art Fund. Under the portfolio title Inside the Gallery: How To, each…

Material Ephemerality

Works made from short life materials used by modern and contemporary artists increasingly pose problems and challenges for those who handle or possess works: collectors, estates and foundations, conservators and restorers, curators and consignees, storers and transporters; and…

Artwork Liabilities

The marked deterioration of Damien Hirst’s The Physical Impossibility of Death in the Mind of Someone Living, 1991 – the tiger shark in a vitrine of formaldehyde – was the subject of a prescient article by contemporary art…

Conservation, Restoration and Replication of Modern Sculpture

Tate Modern will host a colloquium, Inherent Vice: the replica and its implications in Modern Sculpture, this month. With the support of by The Andrew W Mellon Foundation, 40 specialists from a range…