Archive of Henry Lydiate‘s Artlaw column, published in Art Monthly since 1976. Have a legal question about your career? Check our Directory or send us a legal query.
Deaccessioning Public Collections
During these straitened economic times increasing numbers of public museums and galleries around the world have been driven to consider deaccessioning works in their collections; and many have done so. There are clearly ethical and policy arguments…
In what circumstances can I sublet or share my studio space?
You must check that your lease permits either subletting (temporarily or permanently leaving your studio and renting it to someone else) or sharing before agreeing this with someone else.…
Tracing Work
Listen to me baby Wherever you may be I’m beggin’ over the radio Please come back to me – I’ve got a mind To move on down the line. * Many artists and galleries find great difficulty in…
The Length of Copyright
The Duration of Copyright and Rights in Performance Regulations 1995 implement EU Council Directive No 93/98/EEC and the European Economic Area 1993, which harmonise protection of copyright and certain related rights. In effect, they extend the…
‘She’s nobody’s child; the law can’t touch her at all’
It’s dip. Show time again: a time for looking back over the past years work and exhibiting it for public view; a time also for looking forward to taking the…
National Studios Forum
The ‘Creating Places’ conference held at Tate Modern in July 2003 explored the role of studio workspace provision for artists in the UK (reported in this column AM269). It presented a comprehensive range of sector specific skills…
Can I sell my copyright?
Copyright can only be ‘assigned’ (sold or given away) by the execution of a written document signed by the copyright owner. It is not advisable, however, to assign or otherwise dispose of your copyright over…
VAT minus Zero – no limit
VAT is a pain in the arts. My two recent columns on the subject – Vexing Art Toll? (AM No 24) and VAT Revisited (AM No 29) – have aroused so much interest and…
Management of Creativity
There once was a man who said God Must think it exceedingly odd If He Finds that this tree Continues to be When there’s no one around in the Quad (Mgr Ronald Knox) Train journeys can be…
Dire Straits – outside the gallery
No lies he wouldn’t compromise No junk no bits of string And all the lies we subsidise That just don’t mean a thing I’ve got to say he passed away in obscurity And now…
Appropriation Art and Fair Uses
‘Immature poets imitate; mature poets steal.’ So wrote TS Eliot in The Sacred Wood in 1920. His epigram was probably adapted from Igor Stravinsky’s comment that ‘a good composer does not imitate; he steals’, as…
Questions of Attribution
Richard Hamilton took part in a discussion, ‘The Legacy of Duchamp’, at Tate Britain in early May 2003. This pointed up many interesting reflections on contemporary visual practice, including the tracing of direct links between the works…
Making Waives
A gallery which advertises a work for sale is allowed to make reproductions without the copyright owners’ permission. But it is not allowed to generally merchandise; catalogues or posters which are subsequently put on sale to the public…
Appropriation of Media
In the endless search for new ideas and forms of expression, artists are increasingly embracing the use of contemporary technologies: the internet, computer hardware and software, film, video, digital cameras and sound recordings. Such new ways of…
Estates
Three apparently unlinked events were reported in the media during the past month. On closer examination they reveal an interesting common thread: the death on March 4, 2003, of Francis Bacon’s sole beneficiary; recent reports from Romania of further…
Life After Art School
Art school education was first publicly funded in the UK during the reign of King Charles 1 in the 17th century, and developed in the 18th century through the establishment of academies of art supported by…
Public Exhibition Payments
Recently there has been increasing interest in the question of payments to artists whose work is exhibited in public. Any scheme devised would necessarily have legal implications; for this reason, and as a contribution to a wider…
New Labour Arts Policies
This issue will be the last before the forthcoming General Election and so, as we have done over the past 20 years, we will try to explore the likely policies of the party that looks most…