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susan sentler
Susan Sentler
Susan Sentler Logo for 30/30 ArtQuest
London•United Kingdom•English
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Interdisciplinary Performance and live art Photography
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30/30 Entries

rain, 01.02.2026

https://vimeo.com/manage/videos/1160856681

1st February 2026 at 10:01 pm

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derelict smudging

Images gathered at an exhibition at Safehouse 1, “arrhythmias” in 2025. Composed of one large image of a section of a wall within the site, 5 other images of other areas nested within the debris.

2nd February 2026 at 10:47 pm

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3 films, 3 perspectives, falling to nest in reverse

https://vimeo.com/manage/videos/1161543310

3rd February 2026 at 7:13 pm

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Fixing my longing for the sea

Cyanotype photograph from Sentler’s 2013 installation mix-media work “See, Sea”, https://vimeo.com/manage/videos/78930200 The photograph revisited in response to the prompt, with a poetic text by the author printed in the currents of the image.

4th February 2026 at 10:25 pm

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fluid flag

‘fluid flag’ is composed of 6 diverse cyanotype images of photographs of past seas I have experienced that were part of my 2013 multi-media installation work “See, Sea”. I sliced them horizontally, layering them into linear strips composing the flag. The patterning of the varied sea currents allow the ‘lines’ a folding, disrupting and softening the more geometrical designs which are attributed to a flag.

5th February 2026 at 11:16 am

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a seeded palm

A photo of my palm with a porcelain seed, from Ai Wei Wei's installation 'Kui Hua Zi' (Sunflower Seeds). I found it in a crack (a year later) in the TATE Modern Turbine Hall during a break rehearsing for Tino Sehgal's work 'These Associations' in 2012. I treasure it. The sunflower seed representing growth and resilience, seeding the lines of my palm.

6th February 2026 at 9:07 pm

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an artist…

In response to the question, I wrote a series of activities necessary in artmaking, coupled with a collaged image used as the first clip of my 2021 video work “fold.fall.nest.” https://vimeo.com/manage/videos/561848994. It was created for bulanujung: Against Disimagination, an experimental curatorial platform with an interest in moving images and exhibition making. The image yielding a visualisation of the written script. Dancer in image, Valerie Lim.

7th February 2026 at 8:21 pm

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tuning to page 37…

Randomly opened my copy of Pauline Oliveros’s book, “Quantum Listening”. Two sentences resonated: Listening is key to performance. Hearing is the passive basis of listening. This writing coupled with 2 of my past daily drawings, considering noticing as listening.

8th February 2026 at 6:55 pm

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loud in reverse, a swimming breath

The image is a screenshot from film 1 of “See, Sea” 2013. https://vimeo.com/manage/videos/72357714 My durational installation work exploring multiplicity of ritual and image triggered by an episodic memory. Within it, a deconstruction of my swimming ritual is explored through a mixed media palette. Within film 1, a surreal lens is created, the dancer, Irina Baldini, morphing from a domestic interior into multiple landscapes of seas, of past sensorial embodiments. The screenshot image captures the dancer engaging in an expansive intake of breath, overlaid, submerged in the sea. The breath, a shout, a scream in reverse.

9th February 2026 at 10:25 am

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a blind/fold within a fold

On paper, eyes closed, drawing a folder paper via touch. Then folding the paper with the drawing. The blindfolded fold, within a folding.

10th February 2026 at 10:54 pm

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score for movement, for cooking, for eating

A score to experiment with, in any mode and order desired. Composed via words from cooking (noun/verbs) to be sensed for movement, for eating.

11th February 2026 at 8:56 pm

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music within the f/olds

https://vimeo.com/manage/videos/1164431726

12th February 2026 at 5:47 pm

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my swim ritual, an extract

https://vimeo.com/manage/videos/1164776673

13th February 2026 at 6:00 pm

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elegant entanglement of folds

Image of diverse materials…velvet, silk, pearls, beads…embodied in an elegant entanglement of folds.

14th February 2026 at 5:53 pm

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dissolving into white

From a collaged image of photographs created from dancers in Theo Clinkard’s work “Now Map” for LASALLE College of the Arts, 2019. The images shaped into an assemblage of a durational installation reiteration of the work by Susan Sentler. Here the image (repeated 4 times) is broken down by dissolving the image, from the initial indexical into a full fading into white.

15th February 2026 at 12:52 pm

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enfold image 2019, revisited as f/olded mask

Image from a project I mentored, collaboration between dance and fashion students from LASALLE College of the Arts Singapore, ‘origami project’. The performative works immersed with an exhibition ‘Minimalism: Space.Light.Object’ 2019 at ArtScience Museum SG. The event called ‘Enfold’ https://www.facebook.com/events/artscience-museum/enfold/243152586597702/?locale=zh_CN Here revisited, taking a face lift, as a mask, worn, folded over my face.

17th February 2026 at 4:49 pm

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a ripped fold

Image from 2013, a beginning workshopping on my shared praxis with Dr Glenna Batson of 'the f/old as somaticartistic practice' (originally called 'human origami'). Dancers Clémentine Télesfort and Belinda Papavasiliou entangled in an improvisational folding. The image here is torn, ripped, wronging/breaking the essence of the fold.

18th February 2026 at 10:58 pm

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gesture drawing, Singapore 2020

During the pandemic, right before lockdown while living in Singapore, I would join friends in Figure Drawing evenings hosted by artist Dana Lam (introduced by my dear friend/colleague, the painter/artist Gavin Maughfling) in her studio at Goodman Barracks. We would have models posing for varied durations with wonderful sounds filling the space. Dana would then offer delicious drinks to end the evening, sharing our work and extended conversations. I have practiced figure drawing in the past, but am still a beginner. Am more intuitive when engaged in quick gesture drawings. I guess my understanding movement and dance, attributes to this love and interest. This is one of many I drew in that beautiful, memorable period of time.

19th February 2026 at 8:14 pm

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daily morning perspective

My first perspective each morning. A quick snapshot from my interior to my exterior of my current home.

20th February 2026 at 9:00 pm

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sea negative

A negative image of a photograph of the sea (one of 200 images) used in the installation work “See, Sea” 2013. The image originally in colour was shifted to black and white, copied to acetate, used as a negative to print via cyanotype processing. The cyanotype images revealed in the moment of the performative within the installation, bathed in water. The acetate negative images were woven together to create an assemblage within the installation called the ‘blanket/wave’. Here it is used, coupled with a copied image, shifted to almost full black and filpped horizontally…as a mirror image. Increasing the depth of the intensity of the colour.

21st February 2026 at 7:16 pm

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a gift

A photograph my palm with a found shell, nesting a pearl necklace. A simple artistic shift of perspective.

22nd February 2026 at 6:35 pm

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score for practicing…

Still photo used within video work

23rd February 2026 at 6:56 am

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by hand

Folding sea images from

24th February 2026 at 4:30 pm

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nests and skies

A collage of images, diverse configurations of folded paper. On each paper images collapse, interior and exterior traces of 2 of my homes, in Singapore, in Firenze/IT, taken during the pandemic in 2020, processed for a work

25th February 2026 at 9:11 pm

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graffiti, centro storico firenze, ottobre 2025

Image of found graffiti on a wall in centro storico Firenze, Italia, October 2025.

26th February 2026 at 7:18 pm

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kate al tramonto

From a series of black and white analogue photos taken at my best friend's home at Parco dell'Uccellina Tuscany. Kate at sunset.

27th February 2026 at 5:04 pm

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my secret f/old

A improvised folding of paper with 'my secret....' written inside a f/old.

28th February 2026 at 10:23 am

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a festa of reverie

https://vimeo.com/manage/videos/563123111

1st March 2026 at 2:18 pm

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my beginning flipped

Returning to the film I created on day 1 of Artquest “rain, 01.02.2026”, I took one bodily image within and centred it on a negative sea image from my work “See, Sea” 2013. I then horizontally flipped this combined image, placing each side by side, creating somewhat of a Rorschach Inkblot. Morphing water and body as one.

2nd March 2026 at 11:39 am

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