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Ju Underwood
Dunoon, ScotlandUnited KingdomEnglish, Japanese
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Collage Painting Visual arts

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30/30 Entries

Reactive Response

Exploring the vibration of noise through red pencil marks over a blue atmospheric ground. Utilising mark-making to process environmental stress.

1st February 2026 at 6:47 pm

The Oscillating Signal

Fusing digital

2nd February 2026 at 6:37 pm

The Frayed Ribbons of Experience

An exploration of memory as a physical material, imagining columns of experience as frayed ribbons torn from the glossy surface of the everyday

3rd February 2026 at 9:34 pm

Rising Through the Veils

Integrating gold leaf and various densities of cross-hatching to create a sense of depth and layering

4th February 2026 at 5:43 pm

The Weight of a Whisper

Employing a sequence of veiling techniques to create atmospheric recession

5th February 2026 at 5:27 pm

Veil of Endurance

A study in found abstraction. Observing the

6th February 2026 at 8:51 pm

Iron and Mist

A study in structural vibration and atmospheric density. Using a dense, cross-hatched tatami grid to suture together divergent washes of iron-oxide and pensive grey, intersected by silver mica light-fractures.

7th February 2026 at 6:27 pm

Indigo Ghosting

A layered study in atmospheric distress and fading order. Indigo-tinted washes and dry-brush scumbling are used to submerge a rhythmic field of silver mica, creating a

8th February 2026 at 5:32 pm

Through the Fabric of Liminal Space

A radical white veil adjusts the focal threshold by muting the underlying noise. The ghost of the past is frayed and weathered through the application of layers of materials.

9th February 2026 at 6:28 pm

Density and Distance

An exploration of density on canvas where a milky veil struggles to lift the weight of the underlying layers. This piece serves as a study in atmospheric pressure, testing the focal threshold when the

10th February 2026 at 6:06 pm

The Hidden Latitude of a Floating World

A sanctuary drifts through a high-altitude grid, exploring the 'Ukiyo' or floating world. A red seal anchors the composition, while a radical white veil and sharp 'sparks' establish a clear focal threshold against the receding misty layers.

11th February 2026 at 4:55 pm

Andata

Using everyday materials and the residue of the art making process to strip away the ego of the artist and mark a return to humility. Ghost like impressions create an echo reminscent of fading footsteps.

12th February 2026 at 6:52 pm

Memory of Fading Footsteps

A history of marks, stains, and textures offer a grounded starting point for ghost impressions that serve as a subtle background for a minimal, wabi-sabi focused work.

13th February 2026 at 3:07 pm

Kiri

Using several light-reflecting layers to create the sense of a weathered surface in shades of light to intense indigo, with a final application of delicate, silver motifs like lace curtains across a misted window

14th February 2026 at 4:12 pm

Tethered Light

This work reclaims a discarded base layer by employing a delicate balance between the weight of dark indigo and the levity of white surface marks. These layers draw the eye to a central glow, which acts as the soul of the piece

15th February 2026 at 4:02 pm

The Poetry of a Celestial Body

Waivering lines suggest vulnerability and the echo of a conversation. As the eye travels across the page, it is arrested by a hidden moon, a red seal, and varying intensity of asemic text on parchment-like layers.

16th February 2026 at 3:56 pm

Conscious Particles

Whisper-thin lines interact with architectural grids to achieve a feeling of

17th February 2026 at 6:51 pm

Sentinels in the Mist

This work structures a delicate, silver-grey floral base layer with bold, vertical gestures. The sgraffito-scratched dark pillars create an organic, alien-like texture that shields the cloudlike delicacy beneath.

18th February 2026 at 4:49 pm

Subcutaneous Signals

Vertical silver mica drips act as fractures of light, providing a sharp contrast to the organic base. An iron-oxide washe provide a visceral warmth that suggests blood or heat spreading beneath.

19th February 2026 at 6:22 pm

Suturing the Silence Between

While acknowledging the underlying bruising, a suturing process of rhythmic mark-making and masking grafts the surface back together.

20th February 2026 at 5:22 pm

Residue of a Forgotten Text

Soft, feathered edges of indigo paint mirror internal bruising. Lines mist across the paper and fade in and out, allowing for breaks in structure that mimics the healing process.

21st February 2026 at 5:21 pm

Rhythmic Drift

The layering of indigo washes creates a sense of infinite depth. The intervention of the grid acts as a measure of space, where each square serves as a portal into a shifting, parallel world.

22nd February 2026 at 3:49 pm

Reclaiming the Purity of Light

Faint horizontal lines act a filter for the weight of energy descending. As this passes through the implied threshold, preconceptions are shattered and impurities removed allowing a light, refined sediment to gather at the lowest edge.

23rd February 2026 at 3:34 pm


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