Archive of Henry Lydiate‘s Artlaw column, published in Art Monthly since 1976. Have a legal question about your career? Check our Directory or send us a legal query.
Mapplethorpe
Much heat and hype has been generated by the media in recent months over the Hayward Gallery’s decision to self censor two works from the Mapplethorpe retrospective. The purpose of this piece is not to fuel any flames, but…
Information and Advice to the Visual Arts: Getting the Network Working
In May 1990, AN Publications (Artists Newsletter) carried out market research into the needs of artists and arts administrators. The results make it clear that the needs of artists…
Dear Editors
I must apologise for not having produced my regular column this month – the first time in three years. The fact is that we’ve been under so much pressure at Artlaw that there’s been no time to sit…
Oh! My Precious
One fine day composer John Casken arose to discover that he had won the first Britten Award for composition worth £10,000. He won the money for Golem, a work for eight singers accompanied by 11 instrumentalists and…
Percentage for Art: UK OK?
February’s column covered the numerous Percentage for Art schemes which have been developed in America and Europe during the past fifty years. Whether or not something is to be done in this country is a…
Copyright Law
The law of copyright is vast and complicated: what follows is a brief outline of the law as it affects visual artists who should seek professional legal advice on any problems they may have. What is copyright? Copyright…
Tate Da Vinci Code Pollock
the publishers of The Da Vinci Code have successfully defended a breach of copyright claim against them in London's High Court, and the Pollock Krasner Foundation is currently in dispute with a Jackson Pollock expert…
What can I do if my work is damaged after submitting it to a third party, such as a dealer?
As well as the specialist insurers listed on Artquest, a n, Axisweb and the Society for All Artists provide insurance…
What other costs might I be liable for when renting a studio?
There are a number of extra costs that you will be liable for when you rent a studio, exactly as with a residential property. These include electricity, gas,…
Down in the Flood
Well, it’s sugar for sugar And salt for salt, If you go down in the flood, It’s gonna be your own fault. * Or is it? The Conditions of Entry said: ‘Works submitted for consideration are…
Private Investigations
It’s a mystery to me – the game commences for the usual fee – plus expenses confidential information – it’s in a diary this is my investigation – it’s not a public inquiry* Back from the motorway the…
Ballad of a Thin Wedge
An article from the Artlaw archive about sponsorship and the Arts. You have many contacts Among the lumberjacks To get you facts When someone attacks your imagination But nobody has any respect Anyway they already…
Taxation of Prizes and Grants
Booker, Whitbread, Turner, John Moores – are the winners of those prizes liable to pay income tax? What about other minor awards and prizes given by public and private donors? What about competitions,’buying time’ awards,…
Supplementary Benefit
Supplementary benefit is for those whose resources are insufficient to meet their requirements. Last month we looked at artists’ entitlement to unemployment benefit and their duty to make National Insurance contributions; now we must consider artists’ rights to…
Space Race: Part 1
Tate Modern recently hosted a national conference profiling the role of studio and workspace provision for artists in the UK. ‘Creating Places’ was jointly funded by Arts Council England (ACE), the Cultural Industries Development Agency (CIDA),…
Droit de Suite (2002)
The Arts Council of England recently published its Research Report on the implementation of a Directive from the European Parliament and the Council of the European Union requiring all 15 Member States to enact legislation to…
Artists’ Selling Power
The film and entertainment industries exercise strong bargaining power over non negotiating artists, or ‘hired hands’, whose marketability remains unproven and relatively low – the powerless majority. However they have had to learn to accept the bargaining…
Artists’ right to unemployment benefit
At a time of mass unemployment and world wide recession, how does the unemployed artist fare in the welfare state? Will unemployment or supplementary benefits be paid? Does the state have a duty to meet…