Copyright: A Suitable Case for Reform

Old Copyright law. ‘Who is going to achieve change? Not the Arts Council, not the RAAs, not the artists’ groups, not the arts organisations not the art schools, not the dealers and collectors; not…

Theft, Lies & Videotape

It is trite, but true, to say that the marketplace has become global in its scope and access has become virtually instant. The visual art marketplace now shares many more common technological features with, say, the…

The Right to Destroy Artwork

Michael Landy’s Break Down installation on London’s Oxford Street opened to the public for two weeks in February 2001, and made national broadcast news headlines following the press view. The work was commissioned by The…

Postmodern Artwork

Just like the proverbial long wait at the bus stop and then three buses come along at once, there has been a bumper crop of recent illuminating copyright lawsuits involving works by artists as diverse as Richard Prince,…

Copyright and Moral rights: New legislation (part 1)

In May or June 1989, visual artists’ and craftspeoples’ rights will be substantially improved when the new Copyright Designs and Patents Act of 1988 comes into force. Key changes anticipated were signposted…

Art & Copyright

Most UK lawyers know little about intellectual property law, because it has never been a compulsory subject for professional qualification. Simon Stokes, Art & Copyright, Hart Publishing, Oxford and Portland, Oregon, 2001, 184pp, £25.00, 1 84113 225…

ArtlawTV

A series of short films exploring the main legal issues that artists face. Each film comprises an interview with an artist about their work, with an overview of the legal implications of their practice by Henry Lydiate, art legal…

When I Paint my Masterpiece

Dear Henry, Recently I was amazed to see a portrait I had painted reproduced photographically on a poster in the city where I live. I managed to acquire a copy of the poster and saw…

Copyright and Moral rights: New legislation (introduction)

On October 30 1987, the Government introduced into the House of Lords the long overdue measure to reform the law of copyright and other intellectual property: The Copyright, Designs and Patents Bill'. It…

Copyright and Moral rights: New legislation (part 3)

What remedies are available for Copyright Infringements? Last month’s column continued our three part examination of the new Copyright Designs and Patents Act 1988, shortly coming into force (the precise date will…

Photographing Art Collections

In May 2007 a conference was held in London to discuss a leading court judgment, made in 1999, which ruled that exact photographic copies of public domain images could not be protected by copyright because the copies…

Stamp of Approval

The Stamp Art and Postal History of Michael Thompson and Michael Hernandez de Luna was recently published in the US and makes fascinating reading. The authors are mail artists, who teamed up in 1994 to pursue their…

Recording Visiting Speakers

This piece considers key legal and ethical issues involved. Copyright in speech is the first issue. Copyright is an economic right, lasting for the lifetime of an author plus 70 years after the end of the year…

Monumental Manoeuvres in the Dark

The destruction of a sculpture the Government specifically commissioned and permanently installed on a national site is one of the more outrageous of the issues raised recently. I don’t care How many letters they sent…

Self-Expression and the Law

On Tuesday 25 October 1977 Kerry Trengove was sealed inside a 15ft x 10ft breeze block bunker on the ground floor of the Acme Gallery in Covent Garden. He then dug a 3ft sq. hole to…

Tomorrow is a Long Time

Alteration, defacement, mutilation, modification, deterioration and destruction of artworks are matters usually ignored at the outset by artists, their commissioners and/or buyers. In future columns we will look at the conservation concerns of keepers of…

Originality

Last year’s Turner Prize controversy was pure artlaw territory and deserves closer examination. It concerned one of four short listed artists, Glenn Brown and his large canvas Loves of Shepherds, 2000. Full colour reproductions of the work were splashed…

International Foundation for Art Research: IFAR

The Internet continues to advance and develop the provision of high quality, free access information. IFAR is one such excellent and authoritative resource, for current and historical information about art business throughout the world.…