30/30: evaluation 2025 Consent to process your data In order to submit your form, please agree to all of the following. Your data is anonymous and cannot be used to identify you in any way. Do not include your name or other identifying details in this form. I give permission for: My anonymous data to be used for reporting and evaluation of 30/30 My data to be processed by Artquest, a public programme of University of the Arts London About your experience These questions cover your overall experience of taking part in 30/30 Where did you first hear about 30/30? From another artist From 12ø Collective, who originally ran the project Artquest email newsletter Artquest Instagram Artquest Twitter Artquest website From another arts organisation OtherOther Have you taken part in 30/30 before? This was my first time taking part I’ve taken part before (please tell us how many times)I've taken part before (please tell us how many times) What did you expect to get out of taking part? Encouragement to make new / more work More experimentation in my work To kickstart my practice after taking time out / slowing down To work in a different medium from my usual one A fun experience A challenging experience Sales of my art work A new audience for my work Meeting artists / increasing my professional network To show some of my old work OtherOther What did you get out of taking part? I made new / more work than I usually do I experimented more in my work I kickstarted my creative practice after taking time out / slowing down I worked in a different medium from my usual one The experience was fun The experience was challenging I sold some of my art work I found a new audience for my work I met artists / increased my professional network I showed some of my old work OtherOther How confident are you that the impact of taking part will last? Not confident Neutral Confident Thinking in general about how you contacted artist/s: how did you first make contact? Through their Instagram profile Through the built-in Artquest Exchange messaging feature By email / direct contact on their website Through another social network (please tell us which)Through another social network (please tell us which) Thinking in general about the quality of your contact with other artists: what was the result of your contact? I tended to contact other artists Other artists tended to contact me People did not usually reply to my messages We usually exchanged a few messages and then contact it stopped I am still in touch with some of the artists I contacted I will probably meet one / some of the artists in real life I will probably work with one / some of the artists I met Some of the artists I contacted were rude / abusive Something elseSomething else Select all that apply Every day 5 artists were picked at random and highlighted on our Instagram page. Were you picked? Yes No I don’t know / can’t remember After being picked, what did you do? I reshared the post on my own Instagram account I shared the post on another social network / email mailing list I liked the post I commented on the post I added the post to my story I didn’t do anything Something elseSomething else What impact did being picked have on you? It felt good It encouraged me to continue the project It felt like my work had been validated It didn’t really have any impact Something elseSomething else Tell us what you most enjoyed about taking part 0 of 200 max words About the website These questions are about your experience of the 30/30 website Did you encounter any problems when registering to take part in 30/30? Yes No What problem/s did you encounter? I didn’t understand how to register I couldn’t find the registration form It was confusing to have to register first for Artquest Exchange, then for 30/30 OtherOther Did you encounter any problems using the website? Yes No What problem/s did you encounter? Duplicated entries Showed link to video / audio but not an embedded file The site said I had uploaded a work but I had not I uploaded work and the site said I had not Other issue uploading my work Messaging other participants OtherOther Were you able to contact us to get these issues resolved? Yes No I didn’t try to get in touch with you I got in touch but no-one replied to me I don’t know / can’t remember Tell us anything else we need to know about your experience using the website 0 of 300 max words About the crits These questions are about the 30/30 peer crit sessions, run by Artquest toward the end of the month Did you register for a 30/30 crit session? Yes No I don’t know / can’t remember Why didn’t you register? All the sessions were booked by the time I tried to register The times offered were not convenient for me I don’t like crits I didn’t like the idea of doing a crit online I didn’t want to share my work with others I didn’t have anything I wanted to show at the time I didn’t want to see other people’s work I didn’t know they were happening OtherOther Did you attend the crit you registered for? Yes No Why did you not attend? I was on the waiting list: there were no spaces A work commitment came up A caring commitment / responsibility came up I forgot I had registered I changed my mind about attending I dropped out of the project and thought I could no longer attend OtherOther What did you expect to get out of the crit? To get useful feedback on my work To give feedback on other artists’ work To learn about online peer mentoring To take part in an enjoyable session Something elseSomething else What did you get out of the crit? I got useful feedback on my work I gave feedback on other artists work I learnt about online peer mentoring I enjoyed myself Something elseSomething else Tell us anything else we need to know about your experience of the crits 0 of 300 max words Safe Mode For the first time, participants could register to take part in Safe Mode. Safe Mode allowed participants to avoid being eliminated if they missed a day. You could sign up in Safe More at registration. Did you register in Safe Mode? Yes No I don’t know / can’t remember Safe Mode allowed participants to avoid being eliminated from the project, and could be selected at registration Why did you register in Safe Mode? I have significant caring responsibilities and was not sure I could take part every day I could not take part every day in April due to religious observance I am re/starting my practice after some time off and wanted to ease myself back in I did not think I would be able to because of a physical constraint, chronic illness or disability I was on holiday for part of the month and wanted to still take time off I do not have regular access to the internet or digital devices I did not want to feel the pressure of the challenge It was an accident – I didn’t mean to Another reasonAnother reason Did you submit a work every day? Yes No I did not submit any work I don’t know / can’t remember Would you use Safe Mode again? Yes No I don’t know Tell us more about your experience of using Safe Mode 0 of 200 max words The future Due to the number of religious and school holidays in April, for 2025 we moved the project to February. What do you think about this? You should move the project back to April You should keep the project in February It doesn’t matter what month the project takes place Tell us a bit more about your answer 0 of 200 max words About you We ask these questions to evaluate equal access to the project. None of your answers here can be used to identify you. Please tell us where you were based when you took part in the project United Kingdom— Popular countries —ArgentinaAustraliaBelgiumBulgariaCanadaCyprusFranceGeorgiaGermanyGreeceHungaryIndiaIrelandItalyJapanLithuaniaNigeriaPortugalSouth AfricaSpainUnited States— Other countries —AfghanistanAlbaniaAlgeriaAmerican SamoaAndorraAngolaAnguillaAntarcticaAntigua and BarbudaArmeniaArubaAustriaAzerbaijanBahamasBahrainBangladeshBarbadosBelarusBelizeBeninBermudaBhutanBoliviaBonaire, Sint Eustatius and SabaBosnia and HerzegovinaBotswanaBouvet IslandBrazilBritish Indian Ocean TerritoryBrunei DarussalamBurkina FasoBurundiCabo VerdeCambodiaCameroonCayman IslandsCentral African RepublicChadChileChinaChristmas IslandCocos IslandsColombiaComorosCongoCongo, Democratic Republic of theCook IslandsCosta RicaCroatiaCubaCuraçaoCzechiaCôte d'IvoireDenmarkDjiboutiDominicaDominican RepublicEcuadorEgyptEl SalvadorEquatorial GuineaEritreaEstoniaEswatiniEthiopiaFalkland IslandsFaroe IslandsFijiFinlandFrench GuianaFrench PolynesiaFrench Southern TerritoriesGabonGambiaGhanaGibraltarGreenlandGrenadaGuadeloupeGuamGuatemalaGuernseyGuineaGuinea-BissauGuyanaHaitiHeard Island and McDonald IslandsHoly SeeHondurasHong KongIcelandIndonesiaIranIraqIsle of ManIsraelJamaicaJerseyJordanKazakhstanKenyaKiribatiKorea, Democratic People's Republic ofKorea, Republic ofKuwaitKyrgyzstanLao People's Democratic RepublicLatviaLebanonLesothoLiberiaLibyaLiechtensteinLuxembourgMacaoMadagascarMalawiMalaysiaMaldivesMaliMaltaMarshall IslandsMartiniqueMauritaniaMauritiusMayotteMexicoMicronesiaMoldovaMonacoMongoliaMontenegroMontserratMoroccoMozambiqueMyanmarNamibiaNauruNepalNetherlandsNew CaledoniaNew ZealandNicaraguaNigerNiueNorfolk IslandNorth MacedoniaNorthern Mariana IslandsNorwayOmanPakistanPalauPalestine, State ofPanamaPapua New GuineaParaguayPeruPhilippinesPitcairnPolandPuerto RicoQatarRomaniaRussian FederationRwandaRéunionSaint BarthélemySaint Helena, Ascension and Tristan da CunhaSaint Kitts and NevisSaint LuciaSaint MartinSaint Pierre and MiquelonSaint Vincent and the GrenadinesSamoaSan MarinoSao Tome and PrincipeSaudi ArabiaSenegalSerbiaSeychellesSierra LeoneSingaporeSint MaartenSlovakiaSloveniaSolomon IslandsSomaliaSouth Georgia and the South Sandwich IslandsSouth SudanSri LankaSudanSurinameSvalbard and Jan MayenSwedenSwitzerlandSyria Arab RepublicTaiwanTajikistanTanzania, the United Republic ofThailandTimor-LesteTogoTokelauTongaTrinidad and TobagoTunisiaTurkmenistanTurks and Caicos IslandsTuvaluTürkiyeUS Minor Outlying IslandsUgandaUkraineUnited Arab EmiratesUruguayUzbekistanVanuatuVenezuelaViet NamVirgin Islands, BritishVirgin Islands, U.S.Wallis and FutunaWestern SaharaYemenZambiaZimbabwe How would you describe your relationship to art practice? I am a professional artist I am interested in the arts as a serious hobby I don’t usually make art but the project seemed fun OtherOther Prefer not to say What is your MAIN area of art practice? PLEASE SELECT AN OPTIONPaintingSculpturePerformance / live artPhotographySocially engaged practiceMoving image / video / filmBook artsCeramicsDigital / internetInstallationCollageCuratingDrawingGlassInterdisciplinaryJewelleryMixed mediaNew mediaPrintSound artTextilesOther What is your MAIN area of art practice? Please select an option from the dropdown list above. How long have you been a professional artist? I am currently studying to be an artist Less than 1 year 1-3 years 3-7 years 7-10 years 10-15 years 15-25 years 25-40 years Over 40 years Prefer not to say How old are you? 0-19 20-34 35-49 50-64 65-79 80+ Prefer not to say Please describe your gender identity Woman (including trans women) Man (including trans men) Non-binary I describe my gender identity in another way (please describe)I describe my gender identity in another way (please describe) Prefer not to say Disability Yes No Prefer not to say The UK Equality Act 2010 states that a person is disabled if they have a physical or mental impairment which has a substantial and long-term adverse effect on their ability to carry out normal day-to-day activities. By this definition, do you consider yourself to be disabled? Do you have significant caring responsibilities? Yes No Prefer not to say For example: for a child under 18, an elderly or disabled relative or another family member or friend you care for. Which of these best describes your caring responsibilities? A child under 18 An elderly or disabled relative or other family member Prefer not to say OtherOther We ask this question to establish if particular caring responsibilities create the need for particular kinds of support for artists that Artquest can help with. What additional support do you feel you need as an artist with your caring responsibilities? Money and funding Networking with other artists Networking with other artists who have caring responsibilities Feedback / crits on my work Tailored one to one advice on my work Information about the future of the art world Information about tools to help me work online / digitally / remotely Access to studio and workshop space OtherOther Pick your three most important support needs. We ask this question to establish if particular caring responsibilities create the need for particular kinds of support for artists that Artquest can help with. What additional support do you feel you need as an artist right now? Money and funding Networking with other artists Feedback / crits on my work Tailored one to one advice on my work Information about the future of the art world Information about tools to help me work online / digitally / remotely Access to studio and workshop space OtherOther Pick your three most important support needs. Submit If you are human, leave this field blank.